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In 2015 I took up the “Everyday in May” challenge, and when May 2016 rolled around, I was keen to give it another try. I thoroughly enjoyed the journey, and hope you will too; while scrolling through these 31 sketches.


































Since May, a pair of Blue Cranes has settled on Silvermere. It is really quite unusual that they have made themselves at home here. Yesterday, while hanging out the washing, I heard their wistful calls and saw them circling high overhead. Usually we only see the occasional visiting cranes just passing through. We used to say that they were a rain omen, one of the many that farmers in our part of the karoo use to predict the rains. I have taken a few photos of ‘our’ pair, and felt inspired to paint them again, for the first time since way back in 1995 & 1997.

In those days, we saw big flocks of them in the Caledon district, and several paintings followed. But, more recently I photographed a flock that we saw on a trip home from the Nieu Bethesda district. This big watercolour depicts the cranes in the landscape where I saw them. The other 2 sketches were drawn from photos of our new resident pair of beautiful and graceful Blue Cranes.


John and I could not resist the temptation to take on another painting-a-day challenge when he came home for the Christmas holidays. It was perhaps even more challenging to find scenery or subjects that we had not done last year. So, even though this Christmas threw in some extra complications, like a new granddaughter, which meant that there was not always time to fit in a painting session each day for me; but John did succeed in his aim to do a painting a day. Here are the sketches from the 15 days of the challenge. All of mine are 400 x 320 mm. which is close to the standard A3 format.
Day 1.—- 21 Dec.2012 Behind the workshop. We painted different scenes while still sitting next to each other. The resident Ground Squirrels were so curious that they came to see if they could find anything to eat in the basket next to my chair ! John’s pen & ink drawing is on the left and mine is on the right.

Day 2. —- 22 Dec.2012. The old fowl run behind the house. This time we did the same scene. John in pen & ink is the top picture. Mine is below.

Day 3.— 23 Dec 2012. Sketching in a small patch of shade near the garage. We chose different subjects: John, the bell and tree that I have painted before, and I chose to sketch the lambs that were also squeezing into the same patch of shade, on the other side of the gate. It was fun to stick to a black & white pencil study, with a grey wash background.

Day 4 & 5. — 24 Dec 2012. Christmas Eve was a particularly busy day for me, so John sketched alone,… the bicycle under the gum tree. His is the top sketch on the left. Whereas, on Day 5, Christmas Day, I was free to sketch the bicycle scene. John then turned his attention beyond the tree to the road that leads to the grid. He painted that scene in oils.

Day 6.—26 Dec.2012. Sketching at Excelsior. While John concentrated on one of the gum trees, I was more fascinated by the cattle under the gums.
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As my delightful little granddaugter and her parents were leaving for their seaside holiday on the 29th, I decided to give up sketching and spend more time with Sue and Chloë.


Day 7, 8 & 9. —-27 – 29 Dec 2012. The warthog skull and other scenes. While I spent time with Chloë & Sue, John painted the scenes top left, and the pen & ink of the warthog skull, bottom right. Then on Day 9 when Sue’s family had left, John and I sat together and did the other 2 sketches. I liked the skull but decided to put it onto a chair in the gardern where we sat. John chose the scene of the two store room doors and window.
Day 10. —30 Dec.2012. Old Wildebeeshoek shed. This is on our neighbour’s farm and was great fun to do. Below is a picture of the two of us painting the scene.


Day 11.— 31 Dec 2012. New Year’s Eve. Dairy session. The quest to find a shady spot always dictates the subject of our painting during the HOT, HOT days of summer. We found a little patch of shade between the stable building and the dairy. We could not sit side by side because it is a narrow passageway, so we sat with our backs to each other facing in opposite directions. John did the series of 4 gates, and I did the blue door of the Old Dairy.

Day 12 .— 1 Jan.2013. New Year’s Day. The Front Steps. John’s is the top sketch.

Day 13. — 2 Jan 2013. I put too much detail into the “On the Steps” picture that it got too late and the light was poor, so I had to finish the next day. While I did that, John did a lovely spontaneous sketch of the fountain.
Day 14. —3 Jan 2013. Old tyres and the view North. We sat together again, but did not paint the same scene. We were under the big gum trees near the Pig-sties. John chose to isolate a pile of tyres nearby, in oils ( top picture); and I chose the far scene beyond.

Day 15. — 4 Jan 2013. The Fountain Gate. Our last day of the challenge! Although we chose the same scene, I particularly wanted to concentrate on the cypress tree, so eliminated the tree that was close to the gate. It is called, ‘artistic licence’ I think. That is why our scenes look different. John’s in oil, is at the top.

Sometimes a painting can be a useful and meaningful gift. So, a week ago I popped in to the farm Fieldmoor to take some photos. The farm has been sold, and Kenny and Margie are now starting a new life in East London, nearer to the rest of their family. As the Philip family of Silvermere, and the Field family, have been good friends for several generations, this seemed an appropriate farewell gesture. Leaving ones family home is always heart wrenching, so now they have a little reminder to bring back the fond memories.



During John’s recent visit to the farm, we went out sketching on a few occasions. However, I was understandably distracted by my new grand-daughter, Chloë !
John spent more time on his plein-air studies, all of which they turned out really well. For those who can access our Facebook page, they can be seen here: http://www.facebook.com/africanpainting?sk=wall



Now for some light relief from the stresses of the Challenge. I little drawing and painting for Sunday relaxation. I have been fascinated by a trend I discovered on the internet, swapping ATC’s. They are diminutive creations that swappers exchange with others all over the world. So I decided to make some cards that have to be 3.5 x 2.5 inches precisely. I made a template and then cut up an old watercolour painting from years ago and started creating. It was great fun !! Here are the 12 that I squeezed out of the cards cut from that one painting. I don’t think that mine compare favourably with the elaborate embellished works of art that the true ATC swappers produce, but then these are a first attempt.


To paint… to travel… to combine the two… is to celebrate life. Jack R. Brouwer
“A traveller without observation is a bird without wings.” — Moslih Eddin Saadi
When travelling the long distances across South Africa, it is advisable, as a passenger, to have an entertaining pastime. For some reading, napping or listening to the radio helps while-away the hours. For me the most appealing options are; photographing the passing landscape or sketching it, depending on whether it is a small country road or a main highway. The highway is usually smooth and therefore I choose to sketch, while the small roads are too uneven for painting, so I photograph interesting scenery as we speed past.

Occasionally we have to turn around and return for some better shots of particularly inspiring scenes. On this last trip to Johannesburg last week; we took an alternative route up and therefore found several reasons to turn around: a suburban dam beside the gold mining town of Odendaalsrus with hundreds of feeding flamingoes; a little donkey cart loaded with passengers, on the road from Klerksdorp to Ventersdorp; a colourful cottage with an old grandmother and a toddler sunning themselves on the front steps; and a gravel driveway with some lovely old trees.

On our return from this particular trip to Johannesburg to visit our son, John; I realized that I was missing some interesting scenes as we sped by at 120 kms an hour on the main freeway. Usually much of the sketch is completed from memory, when it has passed us by at high speed, but I decided to photograph the good scenes, and finish the sketch from the viewer on my camera. This has made it possible to include more detail than would be possible from memory alone. (more…)