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In April 2017 John and I travelled across the karoo to the west coast of South Africa, to Lambert’s Bay. Over the years we have been to different parts of the East coast, but never the West coast. So it was wonderful to experience the wild wild sea of the west coast for the first time. It is such a different coastal town with extraordinary bird life and breathtaking sunsets every evening. Our only disappointment was the lack of fresh fish in the restaurants. Perhaps all those seabirds have eaten them all? These are the sketches that I did while we were there and later in the May challenge.






On the 20th February, we were surprised to find a pair of Buffalo wandering through our veld ! They had escaped from a neighbouring Game Farm. So we followed them while they were in the road, and I managed to get some marvellous photographs. Naturally I was immediately inspired; one seldom has such a perfect pair of models to paint ! So over the past month I have done three studies in three different ways :Watercolour, Oil, and Pen & Wash.




In 2015 I took up the “Everyday in May” challenge, and when May 2016 rolled around, I was keen to give it another try. I thoroughly enjoyed the journey, and hope you will too; while scrolling through these 31 sketches.

































The Every-Day-in-May Challenge seems to be quite popular with many artists, but I only discovered the trend this year. I decided to give it a go, but chose not to use the popular subject prompts. I did a picture every day in May inspired by the day’s events or particular beauty found on that day. So, here are the daily sketches in order from 1 to 31 for the number of days in May. Please note that they are all a uniform size, ( 7.50 x 5.75 inches, or 190 x 145 mm ) They are in a small sketch book that has only 30 pages. The 31st May sketch is on a separate piece of paper measuring , 9.50 x 6.30 inches or 240 x 160 mm. None of these sketches appear in the galleries on the right, so email me if you are keen on purchasing any of them, and quote me the day and number of the drawing.
































John and I could not resist the temptation to take on another painting-a-day challenge when he came home for the Christmas holidays. It was perhaps even more challenging to find scenery or subjects that we had not done last year. So, even though this Christmas threw in some extra complications, like a new granddaughter, which meant that there was not always time to fit in a painting session each day for me; but John did succeed in his aim to do a painting a day. Here are the sketches from the 15 days of the challenge. All of mine are 400 x 320 mm. which is close to the standard A3 format.
Day 1.—- 21 Dec.2012 Behind the workshop. We painted different scenes while still sitting next to each other. The resident Ground Squirrels were so curious that they came to see if they could find anything to eat in the basket next to my chair ! John’s pen & ink drawing is on the left and mine is on the right.

Day 2. —- 22 Dec.2012. The old fowl run behind the house. This time we did the same scene. John in pen & ink is the top picture. Mine is below.

Day 3.— 23 Dec 2012. Sketching in a small patch of shade near the garage. We chose different subjects: John, the bell and tree that I have painted before, and I chose to sketch the lambs that were also squeezing into the same patch of shade, on the other side of the gate. It was fun to stick to a black & white pencil study, with a grey wash background.

Day 4 & 5. — 24 Dec 2012. Christmas Eve was a particularly busy day for me, so John sketched alone,… the bicycle under the gum tree. His is the top sketch on the left. Whereas, on Day 5, Christmas Day, I was free to sketch the bicycle scene. John then turned his attention beyond the tree to the road that leads to the grid. He painted that scene in oils.

Day 6.—26 Dec.2012. Sketching at Excelsior. While John concentrated on one of the gum trees, I was more fascinated by the cattle under the gums.
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As my delightful little granddaugter and her parents were leaving for their seaside holiday on the 29th, I decided to give up sketching and spend more time with Sue and Chloë.


Day 7, 8 & 9. —-27 – 29 Dec 2012. The warthog skull and other scenes. While I spent time with Chloë & Sue, John painted the scenes top left, and the pen & ink of the warthog skull, bottom right. Then on Day 9 when Sue’s family had left, John and I sat together and did the other 2 sketches. I liked the skull but decided to put it onto a chair in the gardern where we sat. John chose the scene of the two store room doors and window.
Day 10. —30 Dec.2012. Old Wildebeeshoek shed. This is on our neighbour’s farm and was great fun to do. Below is a picture of the two of us painting the scene.


Day 11.— 31 Dec 2012. New Year’s Eve. Dairy session. The quest to find a shady spot always dictates the subject of our painting during the HOT, HOT days of summer. We found a little patch of shade between the stable building and the dairy. We could not sit side by side because it is a narrow passageway, so we sat with our backs to each other facing in opposite directions. John did the series of 4 gates, and I did the blue door of the Old Dairy.

Day 12 .— 1 Jan.2013. New Year’s Day. The Front Steps. John’s is the top sketch.

Day 13. — 2 Jan 2013. I put too much detail into the “On the Steps” picture that it got too late and the light was poor, so I had to finish the next day. While I did that, John did a lovely spontaneous sketch of the fountain.
Day 14. —3 Jan 2013. Old tyres and the view North. We sat together again, but did not paint the same scene. We were under the big gum trees near the Pig-sties. John chose to isolate a pile of tyres nearby, in oils ( top picture); and I chose the far scene beyond.

Day 15. — 4 Jan 2013. The Fountain Gate. Our last day of the challenge! Although we chose the same scene, I particularly wanted to concentrate on the cypress tree, so eliminated the tree that was close to the gate. It is called, ‘artistic licence’ I think. That is why our scenes look different. John’s in oil, is at the top.

I don’t often paint eland, so with a recent order I felt the need to do some drawings before the final painting. It was quite an enjoyable exercise.





Here are a few more sheep sketches and paintings.

I have an enormous online library of quirky and entertaining photos of sheep taken over the years; and now that photography is digital, it is so easy to capture moods and attitudes at every available opportunity, without the costs of printing them all.

There was a time when I spent far too much on frequent trips to the nearest Foto-First (200 kms away) in Bloemfontein.

But now, with the aid of a trusty printer, I am able to only print what I want to paint, at the moment when inspiration strikes.

It was difficult to choose just 4, for this set, but I really must move on to some other subject matter now. I can’t imagine there are many of you out there who are so entranced by sheep as I am, so I promise to put sheep aside for the moment!