It has been interesting how this post has evolved from the initial seed of an idea that revolves around my recent interest in blue shadows. Many artists will avoid using green paint straight from the tube, so the challenge is always to depict greens in a painting with subtle mixes of blue, yellow, and a third balancing hue like red, brown or magenta.
Sable Antelope and Marula Tree. 500 x 700 mm Watercolour on Saunders Waterford 300g.
When painting trees, blue is ideal for the shade areas, and balances the effect of sunlight on trees. The French Impressionists skillfully created green by juxtaposing blue and yellow paint to create the illusion of green.
Roosterhoek Farm House. 250 x 350 mm. Watercolour. (Sold)
Celebrating the 150th Anniversary of the Burgersdorp Gereformeerde Kerk.
Three plaster plaques details.
In commemoration of the Burgersdorp Gereformeerde Kerk’s 150th Anniversary, I have undertaken this architectural study.
The Organ Balcony
It was a challenge and a unique opportunity to study in detail, and marvel at, the exquisite craftsmanship evident throughout this extraordinary old church. There was so much time, patience and attention to detail during those early days. Everything, from the wooden pulpit & pews to the plaster detail on the domed ceiling; from the stained glass windows to the grand old organ, were carefully and intricately crafted. Everywhere, there are signs of the skills that went into each part of this beautiful building; even in the belfry where a set of bells rings out the tune to Psalm 116 on the hour, every hour, and the main bell is decorated with intricate patterns of vines and roses, hidden away where no-one ever sees, – ah, but God sees! It is a tragedy that skills of this standard have died out so long ago! All we are left with in this disposable age, is architecture, masonry and carpentry that is austere and functional. Building today strives for the minimalist-modern style that is invariably, basic and impermanent.
This post is about optimism and waiting on God’s perfect timing. The Israelites had to wait 40 years to enter the Promised Land, and I have had to wait many years, not so many by comparison , to capture on camera, warthogs running with their tails up. A friend once asked for a painting of warthogs running with their tails up, and I have failed to find any such suitable photographs. I do not like to paint from guesswork, being rather particular about anatomical accuracy. But ever since a family of warthogs have settled on Silvermere my chances have increased dramatically. Well, the wait has finally paid off. However as often happens, one seldom has the camera when sighting the warthogs. Earlier this year though, John Oliver(with camera) and his Dad were walking at Excelsior, the top part of our farm; when they saw the warthogs, and managed to capture them running off. These action photos though blurred, were then enhanced slightly thanks to Photoshop, and these two sketches were the result.
Warthogs. (560 x 250 mm. Pencil and wash sketch, on unstretched watercolour paper.)Warthogs.(560 x 250 mm. Pen and wash sketch, on unstretched watercolour paper.)
These sketches sparked my interest and two more paintings followed. (more…)
