Category: Lists & Quotes

  • Plein-Air Painting versus Studio-Studies

    Plein-Air Painting versus Studio-Studies

    Excelsior Blue Gums. Watercolour, 270 x 380 mm.

    Painting outdoors is always great  fun! It should never be viewed too seriously. It forces me to loosen up and break free from my usual painting processes. Usually, on these occasions,  the light changes rapidly or the rain threatens, the insects or the wind become tiresome, or there just isn’t the time to perfect a painting outside. So the trick is to make a start outside and when it becomes necessary to leave and return to the studio, take photos and then finish it off in the more comfortable surroundings of the studio.  Some pictures aren’t meant to be anything other than enjoyable outdoor recreation, or an exercises in preparation for studio compositions of the same subject. The atmosphere and surroundings have a unique influence on how we interpret what we see. Painting plein-air is undoubtedly a very valuable and pleasurable pursuit !

    Fountain Poplar Grove. watercolour. 380 x 270 mm









    View with Fountain Poplar. watercolour. 380 x 270 mm.




    John & Sue Plein-air painting. April 2010. The Fountain, Silvermere.

    John and Sue wanted to go and paint out in the veld on two recent visits to Silvermere, so we had some enjoyable outdoor painting excursions. Some were finished on site and others in the studio. On one occasion when it was cold and windy outdoors, we sat in the studio and chose a photo taken recently in the vicinity of the farmyard. There is no need to give up just because the weather is bad. This set of colour sketches resulted from those two visits. The one with the gate was painted entirely indoors, on a windy afternoon. (more…)

  • Mother Patrick, St Patrick’s Blue, & a trio of Blue Studies.

    Mother Patrick, St Patrick’s Blue, & a trio of Blue Studies.

    It has been interesting how this post has evolved from the initial seed of an idea that revolves around my recent interest in blue shadows. Many artists will avoid using green paint straight from the tube, so the challenge is always to depict greens in a painting with subtle mixes of blue, yellow, and a third balancing hue like red, brown or magenta.

    Sable Antelope and Marula Tree. 500 x 700 mm Watercolour on Saunders Waterford 300g.

    When painting trees, blue is ideal for the shade areas, and balances the effect of sunlight on trees. The French Impressionists skillfully created green by juxtaposing blue and yellow paint to create the illusion of green.

    Roosterhoek Farm House. 250 x 350 mm. Watercolour. (Sold)

    (more…)

  • G.K.Chesterton and the Donkey

    G.K.Chesterton and the Donkey

    Donkey. watercolour. 225 x 160 mm
    Donkey. watercolour. 225 x 160 mm

    To return to that marvellous word, ‘serendipity’; the Warthog post and the Roses post were inadvertently linked when the warthogs tried to get into my rose garden, which you may recall. This time, the last post is linked to this one by this quote from one of my favourite authors, G.K.Chesterton :

    “Can the Lion lie down with the Lamb and still retain his royal ferocity? That is the problem the Church attempted: that is the miracle she achieved.”

    But the reason I chose Chesterton for this post was a favourite poem I remember from my youth, about the Donkey: (more…)